ART & DESIGN

Self-Questioning Devices

Objects that interrupt habit and invite inquiry.

Last updated: June 7, 2026

Self-Questioning Devices are objects designed less for utility than for perceptual disturbance — subtle interventions that challenge familiar assumptions about form, function, and meaning.

For both maker and observer, they function as prompts for self-questioning: not by delivering answers, but by interrupting the automatic reading of what is in front of us, especially when the objects become part of everyday life.

Martin Lenclos's design research sketches around the theme of Self-Questioning Devices

Projects: Martin Lenclos

Rather than behaving exactly as expected, these artistic and conceptual objects introduce a small friction into experience. That friction can open space for attention, uncertainty, and self-questioning.

The Continuum of Resilience No. 2 skateboard inspired by the rupture of boards and the repair of the mind for anyone who calls themselves skateboarders.

Photo: Martin Lenclos

Overview

Where possible, I produce paintings, furniture, and other forms that explore how objects can shift the terms of perception. By modifying familiar forms in subtle but disruptive ways, I try to turn ordinary encounters into moments of reflection, ambiguity, and interpretive choice. The language of the work moves between functional and conceptual, so that engagement becomes less passive and more participatory.

This line of work helped lead toward what I later called Design for Nothing — a broader method for loosening habitual interpretation in daily life. In that sense, a Self-Questioning Device is not just an object to look at, but a structured prompt for inquiry: something that can briefly unsettle the automatic reading of what is in front of us.

To someone expecting utility first, these objects may appear impractical, incomplete, or even faulty. That response is part of the point. Their unfamiliar logic invites hesitation, skepticism, and discussion. Instead of offering immediate clarity, they ask what happens when certainty loosens, even slightly.

Scroll down to view concept sketches and prototypes. Some pieces are available in the L’Enclos online store. Purchases support the continued development of this work and its broader inquiry into perception, design, and consciousness-first experimentation.

FIELD TEST / SELF-QUESTIONING DEVICE

Sitting With the Unknown

During Design Week 2022 in New York, the Paradox of the Typical Atypical Device was placed where furniture was expected to behave. It looked broken. It was engineered to hold.

Photo of Martin Lenclos's chair called the Paradox of the Typical Atypical Device.

Photos: Martin Lenclos

The experiment happened in the pause before sitting: hesitation, nervous laughter, partial trust, relief, refusal, curiosity. A chair-shaped question about support, appearance, and the moment before belief becomes certainty.

KITCHEN COUNTER / SELF-QUESTIONING DEVICE

Appetite for Uncomfortable News

Flavors of Misconduct turns ordinary spices into small countertop interruptions. Peppercorns, chili flakes, rosemary, cinnamon, ginger, and paprika are reshaped into objects that look almost useful, almost decorative, almost absurd.

Peppercorns on a string, a spice collection called Flavors of Misconduct by Martin Lenclos

Photo: Martin Lenclos

Each form carries a quiet misconduct reference, but the first encounter stays domestic: a jar, a plate, a soup, a garnish, a question. What happens when something meant to season food also makes appetite hesitate?


Perceptual Design

Self-Questioning Devices use objects as prompts for inquiry rather than utility alone. Familiar forms are altered just enough to interrupt habit, introduce ambiguity, and make perception itself part of the work.

Some remain usable. Others become more conceptual. In each case, the aim is not to instruct, but to unsettle the automatic reading of what is in front of us.

Project Types
Furniture, Design Objects, Household Items

Materials
Ceramic, Wood, Metal, Glass, Concrete

The Fallen Lamp is a concept for a self-questioning device that L'Enclos is proposing to develop. Its purpose is to create disturbance and awaken sleeping minds from the illusion of time and space.
The Cherry Blossom Fire Matches are part of a series of match designs that captivate with their simultaneous display of impracticality and beauty. They serve to momentarily awaken you from the illusions of the world and the roles we play.
A beige background with a single, thin diagonal black line.
From the Potish series, this terracotta ceramic jar, designated as 011, serves as a self-questioning device specifically designed for the spiritual practitioner.
Surrender the world and let go of attachments. digital painting by Martin Lenclos
Martin Lenclos's chair from the Valley Series is a typical self-questioning device for the spiritual practitioner.

Question the given world.

Explore Projects in Perception →
Objects in a minimalist space that question our reality with spiritual design by L'Enclos
The Nakashima Skateboard

META NOTES

This page is a living document. Last updated: June 7, 2026.
Updated the page to frame Self-Questioning Devices as a design-inquiry category: objects, props, and situations that interrupt the first reading of use, safety, taste, value, and certainty. Added the Design Week chair experiment and Flavors of Misconduct as examples of perceptual friction in everyday forms.
03-19-2026: Shifted the Self-Questioning Devices page away from overt spiritual language and toward a clearer design-inquiry frame, emphasizing perceptual friction, ambiguity, and self-questioning over awakening claims.
Newly created on Oct 2, 2024