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Field Notes
L'Enclos
Visual Index
Projects in Perception
Self-Questioning Devices
Design for Nothing Method
Ordinary Witness Objects
Participatory Perception Studies
Studio Design Experiments
Perception Is the First Creative Act
Overview
How It Works
Design as Method
Why the Project
Project Philosophy
Consciousness-First Principles
From Principles to Practice
Action Catalogue
Experiment Log
Notes & Annotations
Lexicon
FAQ
Theory
Dream Analogy
Practice Library
Visual Practice Finder
Core Practices
The Dreamer’s Compass (Four Cs)
Blog / Essays
Video & Social
Bibliothèque
About Martin & L’Enclos
Talks & Programs
Contact
L'Enclos on Instagram →
YouTube (Subscribe Before Launch) →
Field Notes
Folder: Art & Design
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Visual Index
Projects in Perception
Self-Questioning Devices
Design for Nothing Method
Ordinary Witness Objects
Participatory Perception Studies
Studio Design Experiments
Perception Is the First Creative Act
Folder: The Dreamer Project
Back
Overview
How It Works
Design as Method
Why the Project
Project Philosophy
Consciousness-First Principles
From Principles to Practice
Action Catalogue
Experiment Log
Notes & Annotations
Lexicon
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Folder: We The Dreamer
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Folder: Reflections
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Field Notes
The Separated Table — Concrete witness study / side table
Continuum of Resilience, Shou Sugi Ban skateboard study — white oak and sapele
Perceptual Terrain — Stool, white oak
Board Room, No. 2 — Continuum of Resilience case study.
The Fallen Lamp — Floor, rendered design study — blackened steel / brass / fiberglass / parchment.
The Divided Light — Floor lamp, with the Withheld Vessel I — Double Front, and a wood jar from the Perceptual Terrain series.
Painted image from Contours of Impermanence
Forest Cookware series — Perception inquiry, part of the Ordinary Witness Objects
Forest Cookware series, pan on a kitchen counter — Perception inquiry, part of the Ordinary Witness Objects
Board Room, No. 1 — Continuum of Resilience, private installation.
Perceptual Terrain — Chair, prototype inquiry, rendered design study, white oak
Paradox of the Atypical Typical Device — Prototype of a chair, white oak
Painted image from the Contours of Impermanence series.
Perceptual Terrain — Bench, prototype inquiry, rendered design study, white oak
Paradox of the Atypical Typical Device — Martin Lenclos sitting on the chair, white oak
Design fiction: Razing Fire Matches, matchsticks from the Cherry Blossoms Match Set — Speculative design object, Art for Change
Two skateboards from Continuum of Resilience series — Photo Martin Lenclos
The Cherry Blossoms Match Set from the Razing Fire Matches series — Speculative design object.
Perceptual Terrain — Bowl, prototype inquiry, rendered design study, white oak
Coronavirus Response — Sculpture, Self-Questioning Device. Original sketch by Martin Lenclos
The Open Ground V, a floor treatment and installation — concrete / clay brick excavation
Painted image from the Contours of Impermanence series
Forest Cookware series — Dish. Part of the Ordinary Witness Objects / case study
Painted image from the Contours of Impermanence series.
The Divided Light — Floor lamp study — blackened steel / antique bronze interior
A Candle a Day from Memorial Candleholder Series, a Self-Questioning Device.
Pretext I. Candleholder witness study — ancient copper
Pieces of Evidence — Steel, hammered brass, and LED light studies / set of three
The Withheld Vessel I — Double Front; Bisque ceramic witness studies / vessel series
The Struck Pendant (a tinted fiberglass pendant light) with the Perceptual Terrain Bench.
A vessel from the Jacob Vase series with the Perceptual Terrain Chair.
The Pepper Threads from Flavors of Misconduct, photo by Martin Lenclos
Two skateboards from the Continuum of Resilience series. Photo by Martin Lenclos
A Candle a Day from Memorial Candleholder Series, a Self-Questioning Device.
The Divided Light — Floor lamp with Martin Lenclos — blackened steel / antique bronze interior
A painted image from Contours of Impermanence featuring the Valley Chair
The Open Ground III, a floor treatment and installation — oak / white clay brick / concrete trench
The Withheld Vessel II also called Bridged Vessel from Ordinary Witness Objects.
The Wall Candleholder, as part of Ordinary Witnesses study — brass / square copper-colored candles
The Potish Vessel — Carceral; Terracotta witness studies / jar series part of Ordinary Witness Objects
The Heliconia Match Set from the Razing Fire Matches series — Speculative design object.
A painted image from Contours of Impermanence featuring the Perceptual Terrain Desk and Valley Stool
The Fallen Lamp — Small, rendered design study — blackened steel / brass / fiberglass / parchment.
The Bruised Weave — Chair; Ordinary witness study — woven rattan / blackened steel
The Bruised Weave — Low Table; Ordinary witness study — woven rattan / blackened steel
The Divided Light — Table. Lamp study — blackened steel / antique bronze interior
The Fallen Lamp — Small, rendered design study — blackened steel / brass / fiberglass / parchment.
The Withheld Vessel V — Crossed Hold; Bisque ceramic witness studies / vessel series
The Bruised Weave — Low Table; Ordinary witness study — woven rattan / blackened steel
Paradox of the Atypical Typical Device — the chair. Elevation drawing by Martin Lenclos
The Struck Pendant (a tinted fiberglass pendant light)
Painted image on rice paper from the Shadows of the Mind
Pretext II. Candleholder witness study — ancient copper
The Bruised Weave — Console Table; Ordinary witness study — woven rattan / blackened steel
The Potish Vessel — Disempowered; Terracotta witness studies / jar series part of Ordinary Witness Objects
A painted image from Contours of Impermanence featuring the Shadows of the Mind, No. 4
The Withheld Vessel I — Double Front; Bisque ceramic witness studies / vessel series
Perceptual Terrain — Chair, prototype inquiry, rendered design study, white oak
A Candle a Week from Memorial Candleholder Series, a Self-Questioning Device.
A painted image from Contours of Impermanence featuring the Forest Cookware Dish, the Cherry Blossom Razing Fire Matches and spices from Flavors of Misconduct series.
Board Room, No. 3 — Continuum of Resilience case study.
A painted image from Contours of Impermanence featuring the Perceptual Terrain Round Table
The Withheld Vessel VII — Side Arm; Bisque ceramic witness studies / vessel series
The Potish Vessel — Broadcast; Terracotta witness studies / jar series part of Ordinary Witness Objects
Jacob Vase, No. 1
Perceptual Terrain — Stool, prototype inquiry, rendered design study, white oak
Separation from the Wall Candleholder series, as part of Ordinary Witnesses study — brass / square copper-colored candles
Painted image on rice paper from the Shadows of the Mind
Martin Lenclos and Ordinary Witness Objects
The Potish Vessel — Extraction; Terracotta witness studies / jar series part of Ordinary Witness Objects
Jacob Vase, No 9.
The Red Torch Ginger Match Set from the Razing Fire Matches series — Speculative design object.
A painted image from Contours of Impermanence
A Candle a Day from Memorial Candleholder Series, a Self-Questioning Device.
Forest Cookware series — Dish. Part of the Ordinary Witness Objects / case study
Chili Clusters from Flavors of Misconduct, case study
The Withheld Vessel III — Crowned; Bisque ceramic witness studies / vessel series
Ginger Bullets from Flavors of Misconduct, case study.
Martin Lenclos holding the Continuum of Resilience Skateboard, No. 2
A painted image from Contours of Impermanence
Paprika Impact Buttons from Flavors of Misconduct, case study
Paradox of the Atypical Typical Device — Prototype of a chair, white oak. Photo Martin Lenclos
Board Room, No. 3 — Continuum of Resilience case study.
Martin Lenclos holding a Jacob Vase series vessel for the Design For Nothing Method
The Orangutan Match Set from the Razing Fire Matches series — Speculative design object.
Painted image on rice paper from the Shadows of the Mind
The Cinnamon Teardrops from Flavors of Misconduct, case study
A painted image from Contours of Impermanence
Perceptual Terrain — Jar, prototype inquiry, rendered design study, white oak
Perceptual Terrain desk and stool, A-Candle-A-Day Candleholder from the Memorial series, Jacob Vase no# 2, and The Divided Light, Desk Lamp.
Forest Cookware II — Sapele Handle. Wood cookware witness study — white oak / sapele

L'Enclos

This site is the evolving record of Martin Lenclos’s art-and-design-led perception experiments, carried out through self-questioning devices, design studies, field projects, typical atypical objects, and lived inquiry.

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