Rather than designing for outcome or utility, these experiments became a kind of spiritual dialogue—a choreography of space and awareness. Each installation was treated as a portal, inviting attention to move beyond the material and into the field of consciousness.

What began as an aesthetic inquiry grew into a contemplative design language. Whether as personal practice, philosophical experiment, or a way to question perception itself, these works infused the ordinary with a quiet sanctity—reframing space as an ally in awakening.

Influenced by nondual philosophies such as Advaita Vedanta, Daoism, Zen, and A Course in Miracles, these explorations wove spiritual principles into the physical world. The aim was never to preach, but to invite—moments where the illusion of separation fades, and one’s deeper nature briefly shines through.

Each design—whether immersive installation, soundscape, or ritual object—was treated as a Self-Questioning Device:
→ A chair that asks you what you're waiting for.
→ A lamp that lights up only when you stop thinking.
→ A quiet room where the mantra Piece of Mind guides you home.

In this spirit, space became a kind of mirror—not to reflect who we are, but to help us remember what we are.

Can design do that? We weren’t certain.
That’s why we explored it.