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Store Shadows of the Mind, No. 9
Discover 'Shadows of the Mind, 9': A digital artwork blending tranquil watercolor strokes with ethereal bleached wood hues on Unryu rice paper. Artist Martin Lenclos. Image 1 of 5
Discover 'Shadows of the Mind, 9': A digital artwork blending tranquil watercolor strokes with ethereal bleached wood hues on Unryu rice paper. Artist Martin Lenclos.
'Shadows of the Mind, 9': An evocative digital painting on Unryu rice paper, where watercolor strokes and soft bleached wood tones foster introspection. Framed with Walnut. Image 2 of 5
'Shadows of the Mind, 9': An evocative digital painting on Unryu rice paper, where watercolor strokes and soft bleached wood tones foster introspection. Framed with Walnut.
'Shadows of the Mind, 9': A digital painting on Unryu rice paper, merging bleached wood tones with fluid watercolor strokes, inviting introspection. Framed with Maple. Image 3 of 5
'Shadows of the Mind, 9': A digital painting on Unryu rice paper, merging bleached wood tones with fluid watercolor strokes, inviting introspection. Framed with Maple.
'Shadows of the Mind, 9': A digital painting on Unryu rice paper, merging delicate watercolor strokes and bleached wood hues. Framed with Walnut. Image 4 of 5
'Shadows of the Mind, 9': A digital painting on Unryu rice paper, merging delicate watercolor strokes and bleached wood hues. Framed with Walnut.
Discover 'Shadows of the Mind, 9': A digital artwork blending tranquil watercolor strokes with ethereal bleached wood hues on Unryu rice paper. Artist Martin Lenclos. Image 5 of 5
Discover 'Shadows of the Mind, 9': A digital artwork blending tranquil watercolor strokes with ethereal bleached wood hues on Unryu rice paper. Artist Martin Lenclos.
Discover 'Shadows of the Mind, 9': A digital artwork blending tranquil watercolor strokes with ethereal bleached wood hues on Unryu rice paper. Artist Martin Lenclos.
'Shadows of the Mind, 9': An evocative digital painting on Unryu rice paper, where watercolor strokes and soft bleached wood tones foster introspection. Framed with Walnut.
'Shadows of the Mind, 9': A digital painting on Unryu rice paper, merging bleached wood tones with fluid watercolor strokes, inviting introspection. Framed with Maple.
'Shadows of the Mind, 9': A digital painting on Unryu rice paper, merging delicate watercolor strokes and bleached wood hues. Framed with Walnut.
Discover 'Shadows of the Mind, 9': A digital artwork blending tranquil watercolor strokes with ethereal bleached wood hues on Unryu rice paper. Artist Martin Lenclos.

Shadows of the Mind, No. 9

from $600.00

Imprinted on Unryu rice paper, this digital painting combines hues of bleached wood with watercolor strokes. The monochromatic style blends with its environment, encouraging contemplation and self-inquiry. Part of the Self-Questioning Devices series, it explores self and society, aiming to provide insight into our interconnected reality.

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Imprinted on Unryu rice paper, this digital painting combines hues of bleached wood with watercolor strokes. The monochromatic style blends with its environment, encouraging contemplation and self-inquiry. Part of the Self-Questioning Devices series, it explores self and society, aiming to provide insight into our interconnected reality.

Imprinted on Unryu rice paper, this digital painting combines hues of bleached wood with watercolor strokes. The monochromatic style blends with its environment, encouraging contemplation and self-inquiry. Part of the Self-Questioning Devices series, it explores self and society, aiming to provide insight into our interconnected reality.

Made to order: 5-9 weeks

Size: Small unframed 24" width 30" height, framed 26" width 32" height; large unframed 32" width 40" height, framed 34" width 42" height

Materials: Archival digital pigment print on rice paper, framed w/ natural maple or walnut

Fabrication: Brooklyn

Artwork: Martin Lenclos

 

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L'Enclos

This site is the evolving inquiry of Martin Lenclos—exploring perception, identity, and the possibility of a consciousness-first reality. Through creative practice and inner experimentation, his work questions inherited beliefs and loosens our attachment to conventional ideas of happiness, meaning, and self. The sense of freedom that emerges from his artworks, design objects, and conceptual gestures arises not from what they declare—but from how they see reality, or the illusion of it. It’s not a doctrine, but a question in motion: What if we’re not just shaped by the world—but dreaming it?

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